This is a common warning for numerous people that co-parenting a dog following a split is a recipe for trouble. Most will argue such arrangements prevent ex-partners from moving forward, cause practical headaches, fuel disputes, and become annoying across the board. Seemingly, and in a twist suited to a direct-to-platform film, it can even cause our furry friends to experience sadness.
Not to downplay the inner life of dogs – countless people observe their profound sensitivity. To witness a standout portrayal in dog sorrow, simply recall a past film. I firmly believe that a dog of Merv's nature, a scruffy terrier type portrayed by a talented dog named Gus, would struggle coping with divided living arrangements. The idea of basing an entire Christmas romance around this situation is sustainable seems a questionable prospect.Predictable Foundations
Fairness demands noting, Merv, the work of the writing duo and directed by Jessica Swale, never aspires to be more profound than its premise. This is a Christmas movie from a major tech-and-media conglomerate – the depth is limited. The narrative unfolds as uncomplicated: exes Russ (Charlie Cox) and Anna (Zooey Deschanel), forced to acknowledge that their post-breakup gloom is surpassed by their dog's, embark on a cheer-up vacation to a canine-centric retreat. At this location, predictably, they will surely rediscover the idea that they are better together. The supporting cast – played by Chris Redd, Jasmine Mathews, and others – fulfill roles the usual assortment of types. The film's look has the quality of a platform's in-house production, with a holiday backdrop that is visibly contrived – exemplified by flurries surrounding verdant foliage as North Carolina doubles as the Northeast.
The Dog's Domain
Whether these predictable parts come together into something enjoyable depends on the actors' work and an acceptance of comfort viewing. Regarding the second aspect, Merv knows its audience – individuals who seek out for pet content. It provides a wealth of scenes focused on the pet. The main attraction is Merv himself, and even if it causes some stilted moments between the pet's "lines" and human reaction, the movie delivers on dog beach fun, dog depression, and, ultimately, doggie joy.
The Human Element
This level of success does not extend for the romantic plot. The film's approach shifts uneasily between emotional depth, zany antics, formulaic romance, and outright slapstick, never fully committing to any one mode. This is not the actor playing Russ, who is admirably committed the humiliating and funny demanded of the unusual premise. His performance contains a likable self-deprecation that supplies a significant portion of the appeal for this ostensibly perfect couple. Anna's portrayer, true to her usual style, injects a certain millennial quirkiness that will either resonate with viewers. Her portrayal comes across as a little too aloof, especially when alongside Cox's heartfelt sincerity. (It should be noted, Merv himself is convincing at looking despondent – while no a canine thespian of that caliber, he is still a scene-stealer.)
Merv tries to provide depth to the central romance for scenes without their pet – which is unfortunate, given that Merv is by far the cutest element of this film designed for charm. As one might predict, it just about gets by. The reason for their original breakup would feel more nuanced with less exposition and fewer direct statements. Ultimately, Merv is slight and sweet, fulfilling all its marks. Creating a movie on this shared-custody premise isn't a bad idea – but it's hardly a stroke of genius.
- Merv premieres on the Amazon platform on December 10th.
